Social Media And Its Effects On Society - 1447 Words

Looking in the mirror and not liking what you see is extremely common, among teenage girls especially, but where does it stem from? Is it human nature to see oneself in a negative light? Perhaps it comes from something more tangible, such as one’s surroundings. Everyday, people are exposed to models and celebrities on social media living unrealistic and uncommon lifestyles. Why does everyone insist on striving for these absurd standards? Perhaps it’s because people, predominantly millennials, pride themselves on their ability to ‘accept everyone’ disregarding sexuality, gender, and size, yet they are constantly judging others whether it’s subtle or very evident. Although modern society is more accepting of different body types than in the past, there is still too much pressure on girls to have the ‘perfect’ body due to emphasis from media, pressure from peers, and American culture. A recurring theme Americans see via today’s media is beauty. This isn’t necessarily the problem though, what needs to be looked at is how the ‘ideal’ look emphasized by the media is unachievable for most people. Whether it be through magazines, television, or social media, individuals are constantly exposed to some form of media in today’s society. According to an article from USA Today, â€Å"Heavenly Bodies in the Eye of the Beholder†, research has been done in the past that proves â€Å"women who watch TV and read more fashion magazines† are not as happy with their body as women who are not exposed toShow MoreRelatedSocial Media And Its Effects On Society1597 Words   |  7 PagesSociety Crumbles into Smithereens One Post at a Time You are walking out of the new Star Wars movie, posting about how superb it was, when suddenly you are swooped up and thrown in the back of a vehicle. No one would have thought posting about how you were there earlier would provoke such a situation. After all, social networking is â€Å"safe† and â€Å"friendly.† Now, social media is defined as â€Å"A form of electric communication through which users create online communities to share information,† accordingRead MoreSocial Media And Its Effect On Society1711 Words   |  7 Pagesinfluence usually are not the first words you would expect to come to mind when thinking about the term â€Å"social media,† yet with a little digging you will soon realize it could be the perfect description. Social media can be defined as forms of electronic communication through which users create online communities to share information, ideas, personal messages and other content. Most often social media is understood as a p ositive concept because of the ways it has allowed us to attain cheap and easilyRead MoreThe Effects Of Social Media On Society1359 Words   |  6 PagesIn a broad sense, Social media refers to elements such as websites, television, blogs, IM, and other applications that enable users to create and share various forms of content such as messages, pictures, and information, or to be able to participate in social networking. Social media depends on web-based applications, which allow a high level of virtual interaction on various levels such as social, professional, and educational levels. Social media has had various contributions to the developmentRead MoreSocial Media And Its Effects On Society1592 Words   |  7 Pagesdevelopment of vast social media networks has improved our communications and interactions. These networks, such as Facebook and Twitter, are essential to how information is shared and criticized. The Social Media Handbook defines social media as â€Å"networked information services designed to support in-depth interaction, community formation, collaborative opportunities and collaborative work† (Hunsinger, 2014 p.1). Having an account or profile on these sites is more than a social norm; it is a requirementRead MoreSocial Media And Its Effects On Society1359 Words   |  6 PagesPeople may say social media is good for you but is it really? Everyday, everywhere I always see people on social media calling people bad names, not being able to communicate face to face with each other. Social media, social media, social media†¦ oh what is has done to the world, so many students grades have dropped, criminals PROMOTE crimes. Ultimately, what is at stake here is social media will one day take over the world. People’s safety will be in danger, crimes will increase, people will getRead MoreSocial Media And Its Effect On Society1601 Words   |  7 Pagesrecent editorial titled â€Å"Hazards of Social Media† on your LinkedIn page on February 10th, 2016. It was very interesting to read your perspective on social media and its effect on society. Having an undergraduate major in Psychology at the University of Southern California and currently conducting research on social media usage at the Brain and Creativity Institute of USC, I have spent significant time researching the issue of social media.Though I agree that social media can be hazardous if not used effectivelyRead MoreSocial Media And Its Effect On Society998 Words   |  4 Pagesis bound to be a shift in social norms. As the times change, so does societ al views on acceptable values. One such possibility is the standard value accepted by mainstream society in which the way a female body is sexually portrayed in the media. It appears that society has not only accepted this standard, but has increasingly encouraged a more sexualized representation of the female body. Social media is an informational highway about what is accepted by the larger society and inferred by the individualsRead MoreThe Effects Of Social Media On Society Essay1644 Words   |  7 PagesSocial media has become prominent parts of life for many young people today. Most people engage with social media without stopping to think what the effects are on our lives, whether positive or negative. Are we as a society becoming more concerned with Facebook friends than we are with the people we interact with face-to-face in our daily lives? What will the longterm effects of today s social media use be? There are many positive aspects, but there are equally as many dangers that come withRead MoreSocial Media And Its Effect On Society1151 Words   |  5 PagesSocial Media The Workplaces’ Largest Enemy Being employed means that an individual will in most cases have coworkers and bosses; the environment shared between the employees is known as the workplace. In the time before technology, people being fired from their jobs was not an unheard of situation. The difference now is people are being terminated from their jobs because of something they posted on social media. If this was not the case, it would set a precedent that posting inappropriate or hurtfulRead MoreSocial Media And Its Effects On Society Essay1396 Words   |  6 PagesIn our modern world, the use of social media is overwhelming and second nature due to the availability. Several people all around the world possess some form of an electronic device that is capable of accessing social media, rather it be Facebook, Twitter, Snapchat, Instagram, and many more. â€Å"Technology’s rampant popularization over the past decade in terms of social media has meant that texting, Facebook, and Twitter have inevitable take n over as the most efficient ways of communicating with each

The Smoking Should Be Banned - 860 Words

On August 31, 2008, Maine made the law for no smoking in cars with children under 18. Warnings were given out until 2009 of September 1st; but starting September 2nd of 2009, fines of fifty dollars would be given out if caught by police. The making of this aw, is to limit teenagers with their license to stop smoking in cars. Smoking should be banned in motor vehicles in all states if person is/are over 16 of age. For teens, smoking is a distraction just like talking on the phone or texting while driving. Cars the popular place where teens or adults smoke their cigarettes. It makes the time goes faster when you’re driving. Maine was the first community to make the law for adults over 18 to not smoke in the car with children under 18. Only a few people have been caught and/or warned about the new law of no smoking with children under 18. In my opinion and what other people have states, â€Å"This law should have been made the year smoking became popular, decades ago.† Sec ond hand smoking is states it’s more dangerous than actually smoking the cigarette. Now that you know that Maine’s law of no smoking in cars with children under 18, I’m going to talk about other states. There are 7 other states and communities that have banned smoking in cars with children under a certain age. Arkansas have made the law of smoking with children under 14 effected in 2011 of July 27th. I think that’s a little young for a law of no smoking in the car with children. If I made a law of no smokingShow MoreRelatedShould Smoking Be Banned?895 Words   |  4 PagesPeople smoke all over the world. Smoking has been around for many decades. Controlling the usage of smoking depends on the smoker. Believe it or not, the government has a huge part on this. In some countries, smoking in public or enclosed areas is banned. In the United States, the owner of any public place has the right to put a â€Å"No Smoking Area† sign. Unfortunately even wit h these regulations, the smoker doesn’t realize how smoking can be harmful to them and their surroundings; people are simplyRead MoreShould Smoking Be Banned?845 Words   |  4 PagesThe smoking population in London stands around 1.2 million and with such a significant percentage of this city with the habit, it is unsurprising the ban has caused such wide controversy. Without hesitation, I add my voice to the chorus of non-smokers who think this ban goes too far. However, I am not saying that smoking is in any way good as I am extremely aware of the gruesome health risks and unattractive photos of black lungs and lopsided livers that litter the media. I just ask of you Britain;Read MoreShould Smoking Be Banned?1672 Words   |  7 Pagesthis is not a choice. This creates the problem of second-hand smoke, which is more harmful than people think. What is worse is that people who inhale second-hand smoke are doing so without consent.Therefore smoking in any public place should be banned.Second-hand smoke is just as harmful as smoking and leads to a higher prevalence of cancer and heart disease. Many people smoke for enjoyment. Enjoyment is what an individual experience when they are having a good time. When an individual is enjoyingRead MoreSmoking Should Be Banned1031 Words   |  5 PagesSmoking is an expensive habit. Smokers’ claim that it helps relax them and relieves stress but there are more negative effects of smoking outweigh the positive effects. Smoking is a health hazard not only for smokers but also for non-smokers. Smokers have the right to choose what to do with their own body and wellbeing but they should respect non-smokers choice to not be subjected to the smoke. Many people believe that there are good and bad outcomes from smoking. I believe that smoking should beRead MoreShould Smoking Be Banned?1326 Words   |  6 Pagesbreak. Even though people are well equipped with the knowledge of how unhealthy smoking can be and what can it causes to their hearts and lungs, they still choose to smoke. Nowadays smoking becomes a trend like a social media, and especially teenagers, are participating in this as well. Although smoking makes you a person feel relaxed from the stress, it harms the body of the smokers in the long run. We have known that smoking can kill us from past 50-60 years, and according to the World Health OrganizationRead MoreShould Smoking Be Banned?2248 Words   |  9 PagesSmoking was first used for medicinal purposes in the early 1600’s. As time continued tobacco began to be smoked through pipes and eventually became rolled in paper and tobacco leaves. After smoking started becoming mainstream, people began to think of this as a social way to fit in rather than thinking of the effects it can cause to their bodies. Although the harmful side effects of smoking are now public knowledge, people still continue to smoke. Smoking can cause health issues, not only to thoseRead MoreShould Smoking Be Banned Public Smoking?1263 Words   |  6 PagesBanning Public Smoking Do people know that cigarettes are responsible for more causalities each year than from HIV, illegitimate drug use, alcohol related incidents, and automobile calamities combined? It is one of the only permissible products that have been long-established to kill when used as intended. Tobacco usage is the main source of avoidable and premature death and disease worldwide according to the Centers for Disease Control and Prevention. Medical studies have shown that smoking not onlyRead MoreShould Smoking Be Banned?1457 Words   |  6 Pagesis that more and more people smoke now than they have in the past. Smoking causes damage not only in the lungs, but also in the body, lips, or inside the mouth. Even though smoking does harm your body there are some good things that come from smoking. Like it can lower the risk of obesity, and knee replacement surgery. There are different types of lung cancer one for smoking and the other, nonsmoking. Although people are smoking, not only are adul ts getting lung cancer, but kids and teens are gettingRead MoreShould Cigarette Smoking Be Banned?1376 Words   |  6 PagesThe United States Surgeon General’s report stated that cigarette smoking is the major single cause of cancer death in the United States. This statement is so true today. Smoking a cigarette is an acquired behavior and that makes it the most preventable cause of death in our society. Cigarettes contain nicotine, tar, and carbon monoxide, as well as formaldehyde, ammonia, hydrogen cyanide, arsenic, and DDT. The main ingredient in cigarettes is tobacco. The nicotine in cigarettes is very addictiveRead MoreWhy Smoking Should Be Banned884 Words   |  4 PagesParagraph A. Every wonder why people smoke? Is smoking really healthy for them? How much does it cost an individual to smoke? What are the costs to society when people smoke? These are all questions that can easily be taken care of by banning cigarette smoking. It is really a disgusting sight to see a woman with a cigarette hanging out of her mouth. It is equally bad to see children with smoking cigarettes. B. Cigarette smoking should be banned, not only in restaurants but everywhere. When someone

About Myself Free Essays

Nuclear Power is produced when a nucleus absorbs a neutron and splits into two lighter nuclei. This releases enormous amounts of energy which in turn produces heat. In fact the Uranium, which is the most common element used to produce nuclear power today, has an energy content about 3 million times greater than that of fossil fuel. We will write a custom essay sample on About Myself or any similar topic only for you Order Now Consequently 1 gram of Uranium is equivalent to approximately 3 tones of coal. Nuclear reactors harness the heat which is produced from the energy released when the atom splits and convert it into electrical energy. Current Nuclear Power plants require the the use of the rare Uranium isotope U-235 and consequently only use one fifth of the total energy content. Next generation reactors forecast to be available in 2020’s will use all the energy in Uranium or the more abundant Thorium. Nuclear reactors produce vast amounts of radioactive waste including large amounts of very long lived radioactive atoms. These radioactive particles are a product of the splitting of the atom. We are constantly exposed to low-level radioactivity from cosmic rays from outer space and naturally occurring radioactive isotopes which in general do not cause any harm. However at high levels of exposure there are numerous biological effects of radiation. These cause cell death, cancer induction and can cause genetic damage. The waste of nuclear reactors is highly radioactive and long lived, and as a consequence must be isolated from humans for around 100,000 years. The current consensus is that Nuclear Waste should be disposed in secure containers and placed deep underground. Future technology promises to turn the long lived radioactive particles into shorter lived atoms. How to cite About Myself, Papers

Challenges of Recruitment Processes Samples †MyAssignmenthelp.com

Question: Discuss about the Challenges of Recruitment Processes of Google. Answer: Google, an American company with multinational presence and specializing in products and services relating to the internet, was founded by the duo of Larry Page and Sergey Brin in 1998. It is one of the most desired workplaces in the world, and that has been magnified by the production of a recruitment video that seeks to provide prospective applicants with a sneak peek into what it entails to work for the organization. Key messages about Google As an employer One of the key messages from the video about google as an employer is, life at the organization is about more than just work. For example, there are recreational facilities for employees. The fact is, it is not just about productivity, but also, the experience is meant to be pleasant. The other key message is, things happen,' implying that there is fast decision making with regard to whether projects will be approved or not. One of the interviewed engineers stated that ideas are approved at a faster rate i.e. on the order of weeks, months or less in comparison to the institutions that they worked for earlier. Also, there are certain qualities that are rooted for by the company when recruiting. They encompass the following: individuals with ambitious ideas, fast responses to requests, big achievers, passionate about projects, high energy levels, a good understanding of the product base and commitment to clients (Google Inc, 2006). Hence, employees are surrounded by bright and enthusiastic colleagues, working on interesting problems and products that impact a lot of lives e.g. Gmail (Google Inc, 2006). Again, they place huge importance on balancing work and life. To demonstrate, it has a child care center touted as one of Googles most valuable programs. Further, expectant mothers are given time off before and after delivery. Additionally, they have 75% pay for all of the 12 weeks that mothers were expectant. Furthermore, they are afforded flexibility at work such as working fewer hours. As an organization According to Googles engineering director featured in the video, Googles culture, philosophy and personalities drawn from its founders. Organizational culture evident from the video is briefly outlined below. Google has a work environment that fosters flexibility, creativity, and innovation. Specifically, the organization has a 20% rule where engineers have 20% of their time to work on individual projects. Some of the projects highlighted in the video included the below mentioned. One, where an engineer created a rotating globe showing where on the globe Google users were searching from. Two, an added feature on google.com where when a user types in the name of a movie and the zip code, it will return to them a list of theatres around that area, with show time and reviews to that particular movie. Importantly, there is a free exchange of information through different setups. First, there is an impactful mentoring program where both incoming and resident employees are assigned official mentors and could also take up unofficial mentors. Therefore, there is an easy transition for new comers and those stepping up to new positions. Second, to stimulate the mind of its employers, the organization has educational talks called Ted talks in different topics such engineering and the latest theories about the origin of the universe (Google Inc, 2006). Again, the organization has a great startup spirit in that projects take a shorter period to launch. Lastly, it provides impactful products to the general public. Effectiveness of the video in candidate attraction HRM theory The development of the theories began in 1920s amidst the industrial revolution, during which productivity was at the core of businesses (Jerome, 2013). A particular theory that fits well with the Google recruitment video is Maslows Hierarchy of Needs Theory. The theory is built on the premise that the desire of many employees is to be included in an entity that supports their growth and development (Jerome, 2013). Thus, if special attention is a guarantee and there is an encouragement for participation, the view that their work is of significance motivates productivity and high-quality work. Concerning the theory, the video is effective in attracting the right candidates, for the reasons outlined below. The behavior of humans is related to needs. The video comes across as testament that the needs, as outlined by Maslow, will be met. First, ranked at the bottom of Maslows hierarchy, is psychological needs. It entails the basic needs that sustain human life. Such include food, shelter, clothing among others (WahbaBridwell, 1973). The video outlines the provision of all these at Google. Second, the security and safety needs which are connected to the psychological fear of job loss. Expectant mothers, for instance, are guaranteed of keeping their jobs. During the 12 months, they are afforded 75% of their salary and flexibility in terms of working hours (Google Inc, 2006). Third, the need according to the theory is the social need. The need posits that it is the desire of an employee is to be in a group and be accepted. This is made possible by Google by mentorship programs t hat facilitate regular interaction with superiors and other forms of activities that make interactions with other employees easier and possible. Ideally the video advocates for the creation of a sense of community. Fourth, the theory stipulates a self-esteem need that has much to do with recognition (WahbaBridwell, 1973). The importance of this fact has been duly emphasized in the video citing various activities that enhance self-esteem e.g. the 20% rule. Last, and the highest ranking need according to Maslow, is self-actualization. It entails the desire of an employee to become what they think they are capable of. Google provides for this through the 20% rule, enabling employees to utilize their maximum potential. Literature review Attracting the right kind of candidates for job openings is important to any organization in existence,so as to meet the organizational goals and values (Arachchige Robertson, 2011). According to Maroko Uncles (2008), there are certain characteristics that come into play when a potential employer is seeking to attract the right candidates for a job opening:attractiveness and accuracy. These are some of the factors that the video by Google looked to enhance by a brief documentation of its organizational culture. About attractiveness, the video demonstrates awareness of employee needs, differentiation in the market and relevance to a particular pool of enthusiasts. Further, it accurately portrays accuracy regarding organizational culture, values, employee experience and the employer brand (Maroko Uncles, 2008). A study by Williamson et al. (2010) emphasized the above claim on attractiveness stating that the amount of information given attributing the company and the different positions on offer has an interactive effect on potential applicants. Arachchige Robertson (2011), provides other characteristics of an organization that fresh graduates look for. The most preferred attributes are: will gain experience that is relevant to career, promotes self-esteem, faster decision making, better relationships with colleagues and superiors, fun working environment among others. These are some of the attraction factors put across by the video. Challenges of recruitment processes First, finding a qualified employee in time has become more difficult.Uncontrollable circumstances may lead to someone being laid off, or alternatively, an employee might have left for another opportunity.In these situations, the position needs to be filled promptly (Meister, Willyerd Foss, 2010). As such filling, the position becomes the next order of business. However, in as much as the market is full of applicants who would be interested in the position, there are challenges. A considerable amount of time is spent on sourcing suitable applicants and profile and CV reviews. Thus, there is a need to find ways of getting applicants of good quality into a recruiters short list fast. Second, ascertaining the legitimacy of a resume is an uphill task.Reason being, faking resumes has been a common occurrence in a recruiters bid to find a fit for a position. Included here are fake referrals, education, and certification (Mallory, 2014). Researching an employees resume to establish if every qualification is genuine is time consuming when working under a strict time frame. Third, settling for the right choice is a daunting task. A culmination of the above-mentioned factors that make the recruitment process challenging results in difficulties settling for the right candidate. A recruiter might have lots of talented candidates but with limited positions to accommodate at least the majority, chances are they might let extremely talented individuals leave. According to the survey by PWC and KPMG, the cost of a bad hire is estimated at double the salary he would have been paid to the individual. Last, as per the findings of a study carried out by Cappelli (2008), career decisions are no longer made by managers and executives as it was in the past where individuals were matched with jobs. As such, the most talented of individuals have the freedom to turn down offers if the offer that they expected does not come along. Similarly, there is a general talent problem that has since been burdensome to recruiters in companies of Googles magnitude. They want the ski lls they need at the time of their choosing and in a manner that is desirable to them. Employees on the other hand desire the guarantee of advancement and an autonomous level of control n their careers (Cappelli, 2008). References Arachchige, B. J., Robertson, A. (2011). Business Student Perceptions of a Preferred Employer: A Study Identifying Determinants of Employer Branding. IUP Journal of Brand Management, 8(3). Cappelli, P. (2008). Talent management for the twenty-first century. Harvard business review, 86(3), 74. Google Inc. (2006). Google Recruitment Video. Google: https://www.youtube.com/watch?v=JcXF1YirPrQ. Jerome, N. (2013). Application of the Maslows hierarchy of need theory; impacts and implications on organizational culture, human resource and employees performance. International Journal of Business and Management Invention, 2(3), 39-45. Mallory, M. (2014). A Research Proposal: Negligent Hiring and Fraudulent Resumes. Meister, J. C., Willyerd, K., Foss, E. (2010). The 2020 workplace: How innovative companies attract, develop, and keep tomorrow's employees today (p. 5). New York, NY: Harper Business. Moroko, L., Uncles, M. D. (2008). Characteristics of successful employer brands. Journal of Brand Management, 16(3), 160-175. Wahba, M. A., Bridwell, L. G. (1973). MASLOW RECONSIDERED: A REVIEW OF RESEARCH ON THE NEED HIERARCHY THEORY. In Academy of Management Proceedings (Vol. 1973, No. 1, pp. 514-520). Academy of Management. Williamson, I. O., King, J. E., Lepak, D., Sarma, A. (2010). Firm reputation, recruitment web sites, and attracting applicants. Human Resource Management, 49(4), 669-687.

The Postmodern Perspective Of William Faulkner Essay free essay sample

Many critics consider William Faulkner a modernist author, mentioning the clip period between the 1930s and 40s as the epoch in which he wrote himself into and out of modernism. Indeed, Faulkner s novels during these old ages reflect many of the typical facets of modernist literature, and it is demonstrably advanced and alone. However, Faulkner appears to be making more than what the Modernists were using at the clip, particularly in the context of his experimentation with linguistic communication. In fact, the great Southern author appears to more so on the route to Postmodernism in his later plants than anything. During this period between the 30s and the 40s what critics call Faulkner s modernist epoch his authorship besides seems to flux with Lacan s poststructural theories of linguistic communication. Get downing with The Sound and the Fury in late 1929, Faulkner begins his journey through the Lacanian Mirror Stage, aware of the lingual Imaginary. We will write a custom essay sample on The Postmodern Perspective Of William Faulkner Essay or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page His attempt to craft the imagined universe of Yoknapatawpha reflects his early Modernist ego in Lacan s Fanciful order phase, taging his uncomfortable attitude towards his disaffection from the South he one time knew. Quentin, whom most critics see as a dual to Faulkner, is the embodiment of Faulkner s attitude, and his multiple visual aspects in Faulkner s novels marks the phase in Lacan s procedure of lingual development each clip. The age ends with the writer s fulfilment of the Lacanian journey, with nowhere to turn but back. Absalom, Absalom! and Afternoon of a Cow prove Faulkner s credence of the impossibleness of Lacan s Real, highlighted by a authorship manner which could be characterized as transitionally postmodernist. Faulkner s modernist/postmodernist individuality crisis between the 30s and 40s occurs during the writer s Lacanian development in linguistic communication and idea, stoping with the acknowledgment of literature s inability to interrupt the symbolic ceilin g.While it would be improbably shortsighted and doubtless incorrect to mention to The Sound and the Fury as developing and non modern, the novel is nevertheless Faulkner s most immature piece of literature in the context of Lacanian development. Here, Faulkner begins his problems with linguistic communication as he is ab initio trapped in the Imaginary phase. John T. Irwin, in his essay on Doubling and Incest in Faulkner s literature, suggests that Faulkner created the character of Quentin as an unconsciously dual of himself. Irwin purports that Faulkner s ain remarks about the fresh support this analogue between him and Quentin, particularly his acknowledgment of his ain failures in literature and destiny to recite the same narratives ( Irwin 280 ) . While most critics point to Caddy as the focal point of the novel because of her function as the absent centre, a Lacanian reading of the text implies that the absent centre is really Faulkner himself since he puts so much of himself into Quentin ( and some of the other characters as good, though it is most prevailing here ) . Quentin s chapter, which becomes increasingly more self-reflexive and dying, reveals Faulkner s ain concerns and discontent with linguistic communication. It ends with his ultimate disaffection from everyone and everything Quentin s self-destruction which is how L acan explains the mirror phase as stoping. Lacan describes the completion of the mirror phase as the formation of the Ego through subjectification, during which a individual undergoes a struggle between his or her ain perceptual experience of the ego and the existent ego through experience Lacan refers to this consequence as disaffection ( Evans 110 ) . Quentin has undergone this find of his ain world that which others have defined him to be and his perceptual experience of himself. As Irwin suggests, It is alluring to see in Quentin a alternate of Faulkner, a two-base hit who is fated to recite and reenact the same narrative throughout his life merely as Faulkner seemed fated to recite in different ways the same narrative once more and once more ( Irwin 281 ) . His decease signifies Faulkner s appraisal of his ain destiny. He predicts literary failure for himself due to the inability of linguistic communication to the full express everything he attempts to convey. This marks Faulkner s first brush with the futility of linguistic communication, and his first measure in Lacanian development.Through this interior struggle, Faulkner associates with Quentin, and other characters like him. Indeed, he puts a portion of himself in every character that he creates, but characters like Quentin best serve as literary representations of hi m when sing his problems with linguistic communication. Lacan holds that in the beginningaˆÂ ¦we exist as portion of one uninterrupted entirety of being. In this early phase of development, we experience noaˆÂ ¦sense of difference, and, exactly for this ground, the [ capable ] has no sense of a separate identityaˆÂ ¦there is no I and no other, and, Lacan insists, the two constructs come into being together ( Duvall and Abadie 98 ) . Faulkner s province at this point in his literary development is such as Lacan defines it. He has no sense of difference between himself and his work, and hence he meshes himself with Quentin and his other characters. However, his ain repressions appear in Quentin s ideas and words, and Faulkner is incognizant of the sum of similarities between himself and the character. Faulkner revised the debut [ to The Sound and the Fury ] several times. In its concluding version, in which Faulkner doubles Quentin s ain words in the novel. .. : So I, who had neer had a sister and was fated to lose my girl in babyhood, set out to do myself a beautiful and tragic small miss ( Irwin 283 ) . It is clearly through his ain connexion with Quentin that he learns how to link with this novel, but the relationship that he develops with the character finally blurs the line between himself and Quentin. Faulkner can see the spread between linguistic communication and world, but he can non look to guarantee the distinction between himself and his creative activities.A twelvemonth subsequently, Faulkner published his following novel, As I Lay Dying, in which he continues the lingual battles and development with the Bundren household. As Terrell Tebbetts suggests, each of the Bundren kids suffers his or her ain issue with linguistic communication: Cash can merely show himself through lists and figures, and though he seems perceptive at the terminal by explicating what happened to Darl, Cash recognizes Darl s jobs with linguistic comm unication but presumes that they the mistake of Darl, non linguistic communication ( Tebbetts 128-130 ) . But it is better so for [ Darl ] . This universe is non his universe ; this life his life ( Faulkner 149 ) . Cash speaks with a perceptual experience that is Faulknerian, as it reflects William Faulkner s anticipation of his ain destiny. In this novel, he connects most with Darl through their shared discontent with the defects of linguistic communication.Darl s lingual problems are the most serious, as he isolates himself through his inability to show his feelings. His jobs cause him to lose his individuality, repeatedly inquiring things about himself such as who am I. Early on in the novel, Vardaman asks what Darl s female parent is ( Vardaman describes his female parent as a fish ) , and Darl comments that he does non hold one. I have nt got ere one, Darl said. Because if I had one, it is was. And if it was, it cant be is. Can it? ( Faulkner 58 ) . Darl s construct of linguistic communication is that it describes world, and merely world. He perceives that he does non hold a female parent because she is dead ( hence, the was ) , yet what he truly means is that he no longer has a female parent. However, he gets so lost in his efforts to gestate this that he arrives at the determination that he does non hold a female parent. As alluded to earlier, these problems affect his ain individuality. I dont know what I am. I dont know if I am or non. Jewel knows he is, because he does non cognize that he does non cognize whether he is or non. He can non empty himself for slumber because he is non what he is and he is what he is non ( Faulkner 46 ) . Darl has entered the mirror phase along with Faulkner, and he is therefore cognizant of the struggles between his ain perceptual experiences and the perceptual experiences of others.Darl is foregrounding the spread between the form and the signified in linguistic communication, as Lacan calls it. Darl is our brother, our brother Darl. Our brother Darl in a coop in Jackson where, his grimed custodies lying visible radiation in the quiet interstices, looking out he foams ( Faulkner 146 ) . He has been improbably nonsubjective internally, seeing himself in an omniscient, third-person position, but this is a consequence of the inability to accommodate the existent him and the him that others perceive him to be ( the Lacanian form is their Darl, the signified is the existent Darl ) . Therefore, he becomes the best illustration in the novel of a character that, by go throughing through the mirror phase and come ining the Symbolic Realm, alienates himself wholly ( even within himself ) . Darl is besides, so, the most affiliated with Faulkner, since he becomes cognizant of the failure of linguistic communication to of all time state what one agency ( Duvall and Abadie 39 ) . Darl reflects what his female parent discovered much earlier: words are no good ; that words dont of all time fit even what they are seeking to state at ( Faulkner 99 ) . Addie besides saw the spread between experience and linguistic communication, which proves Cora s statement that Darl has the most in common with Addie, but her problems are more affiliated with the patriarchality of linguistic communication, and hence non as connected with Faulkner as Darl. Besides, Addie s decease is another illustration of what Faulkner sees as the futility of attempts to link world and linguistic communication. Likewise, despite Darl s development from the Mirror Stage into the Symbolic Stage, his destiny committedness to an insane refuge provides more grounds to turn out that Faulkner saw no manner to forestall these lingual problems from estranging and finally destructing his characters and himself. Therefore, Faulkner is still doubtless a Modernist at this point, every bit good as underdeveloped in the patterned advance of Lacanian development, because he sees no flight from such a destiny at this point. He would state that linguistic communication is a hinderance more than a aid. Darl Masterss linguistic communication internally, but he can non use it in world, therefore demoing thespread between linguistic communication and experience a modernist thought:aˆÂ ¦the integrity of the image threatens the topic with atomization, and the mirro r phase thereby gives rise to an aggressive tenseness between the topic and the image. In order to decide this aggressive tenseness, the kid identifies with the imageaˆÂ ¦ The minute of designation, when the topic assumes its image as its ain, is described by Lacan as a minute of exultation, since it leads to an fanciful sense of masteryaˆÂ ¦however, this exultation may besides be accompanied by a depressive reactionaˆÂ ¦ ( Evans 115 )While Faulkner would non hold known the psychological theories of Lacan, the characters of Quentin and Darl seem to suit the word picture of these issues good. However, these two characters are unable to come to footings with their image. While the terminal of Quentin s chapter does non stop with his self-destruction, we learn subsequently that he takes his ain life because he foresees no flight. Likewise, Darl s unmanageable laughter at the terminal of As I Lay Diing is his minute in which he has the chance to place with one portion of his disconnected ego but proves unable to make so. Darl s job is besides left unresolved, as his internal ego argues within, demanding an account for his false victory. They are both cognizant of their unstable provinces with linguistic communication. Additionally, the mirror phase is where the topic becomes alienated from itself, and therefore is introduced into the Fanciful order. Clearly both characters have entered this phase and happen themselves wholly alienated from themselves and the universe.Terrell Tebbetts claims that Vernon Tull is the lone character in the novel that can come to footings with this job, fall backing to the changeless usage of like in his descriptions and an employment of similes while speaking ( Tebbetts 130 ) . Tebbetts is misled, nevertheless, because Tull is really a Modernist character. By utilizing similes to pull comparings between things he is trying to specify, he is still hold oning for the ideal that Modernists spent their callings seeking to make. Alternatively, a Postmodernist would take advantage of linguistic communication instead than invariably highlight its failures ( as I will discourse subsequently ) . Tebbetts believes that Vernon Tull is Faulkner s manner of stating that the manner out of the job is acceptance, but the solution is more complicated than simple acknowledgment. Besides, characters like Darl, Addie, and Quentin all understood the spread between linguistic communication and world, which drove them to their ain signifiers of disaffection.As I Lay Dying besides features a degree of intended wit that is classified as dark, or black, wit. One of the best illustrations of dark comedy in the novel is when we find Addie Bundren propped up on a pillow in order to wa tch as Cash constructs her casket. Then [ Addie ] raises herself, who has non moved in 10 daysaˆÂ ¦She is looking out the window, at Cash crouching steadily at the board in the weakness lightaˆÂ ¦He drops the proverb and lifts the board for her to see, watching the window in which the face has non moved ( Faulkner 28 ) . This minute evokes immediate laughter because Cash, the oldest kid of the household, seems like a proud pet recovering its gimmick of the twenty-four hours for his maestro. Likewise, everyone sees the grotesque and gaunt figure of Addie rise as if from the dead in order to see her burial chamber and so return to her former place, apparently in blessing. Even more dark comedy prevarications in Faulkner s intended unfavorable judgment of the other characters positions toward each other. Every character that makes a negative remark about another is subsequently shown to be hypocritical, being unusual and far-out in his or her ain manner.Elementss of Faulkner s early novels, particularly As I Lay Dying, show that the writer was on the route to self-reflexivity and metafiction. Much of the Addie chapter, through its overcritical expression at the failure of linguistic communication, is self-reflexive because it is actively noticing on the words and thoughts presented in the novel, yet the self-aware elements seem merely present through deduction. Faulkner neer reaches his possible ( or becomes to the full cognizant of what he was making ) with the component of self-reflexivity until Absalom, Absalom! and Afternoon of a Cow. In his novels until so, Faulkner besides had a preoccupation with what Modernists referred to as the effort to do it new, seeking to experiment with literature and trying things unobserved earlier. He is foremost in the Mirror Stage, looking at the traditional novel with its content, signifier, mimetic doctrine of linguistic communication, and decides that he needs to interrupt from tradition. Then he enters the following phase the Symbolic and efforts to make new and modern literature. While in this phase, though, he realizes the futility of linguistic communication, and that everything he attempts fails. Faulkner repeatedly tries to accomplish literary transcendency, but all he writes is simply a symbol of what he genuinely intends. It is non until Absalom, Absalom! that he non merely accepts his province and failure, but he wittingly plays with the postmodern techniques and thoughts. In the novel, Faulkner uses linguistic communication to make what Lacan says it does reflect the status of the anomic topic, the fractured ego ( Moreland 47 ) . Nothing Faulkner efforts attains the literary transcendency for which he has been seeking, and so he realizes this, comes to footings with it, and makes merriment of this job.Faulkner s motion through the Lacanian lingual patterned advance led him prematurely to postmodernism. While he thought he was being modern by experimenting, he was really using many elements that surpassed the kingdom of modernism. As I Lay Diing was his first clear transitional work, in which it marked a route from modern to postmodern literature, as the novel hinges between the two genres itself ( although, as mentioned before, it should be classified as a modern text if it must be categorized. Faulkner resists many of the modernist techniques and doctrines, but his interruption from the motion was non clean, as he continued to scratch them. Patri ck ODonnell agrees with this, aware of the presence of ephemeral texts: Yet, there are minutes in the plants of the high-modernist writers I have mentioned that work beyondaˆÂ ¦that tear its bonds ( ODonnell 34 ) . His illustration from Faulkner is the manner in which some of his novels attempt to shatter the connectionaˆÂ ¦between trying to exceed the yesteryear, and being condemned to reiterate it ( 34 ) . This battle with the past no longer seems to be an issue one time Faulkner writes Absalom, Absalom! although it had been a focal point of his earlier novel, The Sound and the Fury. ODonnell agrees that the ulterior plant of William Faulkner present more important interruptions from modernism, proposing that Go Down, Moses is really a postmodern revision of Absalom, Absalom! ( 36 ) . However, Faulkner s work after that became much more conservative, returning to the modernist inclinations which he displayed at the beginning of his calling.Even a speedy reading of Absalom, Absalom! in comparing to Faulkner s early novels reveals big differences between the manners. Much like his presentations of characters in old novels, Faulkner puts elements of himself into his characters ; neverthe less, in this novel, he intentionally employs a self-reflexive concentration in order to make metafiction. It is here that Faulkner stops refering himself with epistemology and alternatively with ontology. Faulkner operates the text otherwise in Absalom, Absalom! in the manner that he exerts absolute control over every facet of the narrative and creates a commentary on linguistic communication and fiction. ODonnell refers to Faulkner non as the writer of the text of Absalom, Absalom! but as the unobserved bead that falls into a pool of H2O and gives rise to a series of ripplings, borrowing from Quentin s ain words in the novel ( Weinstein 31 ) . In other words, he becomes the accelerator for the things that of course occur. Faulkner puts adequate of himself into the novel that everything he has put into topographic point takes over for him. From this, he no longer stresses or stews over the futility of linguistic communication ; alternatively, he allows it to take over. The metafictional facet of Absalom, Absalom! lies in the alone construction and composing manner. Unlike his old enterprises, Faulkner dares to state a narrative within the narrative a narrative about storytelling . The act of stating a narrative is artistic because the storyteller imposes his or her ain will upon it, and it is hence subjective as good. Previously he is incognizant of the subjective nature of linguistic communication, and now he non merely accepts it, but he employs it every bit good ( his primary storyteller has a subjective point of view unlike what he has done antecedently ) . His attack in this fresh allows him to hold merriment with it, therefore accomplishing postmodern position and finishing his Lacanian development.Examples of the metafictional facets in the fresh appear most frequently during the subdivisions concentrating on or narrated by Quentin and Mr. Compson. In chapter four, Mr. Compson tells his boy, people excessively as we are, but victims of a different circumstance, simpler and hence, whole number for whole number, larger, more heroic and the figures hence more epic excessively, non dwarfed and involved but distinguishable, uncomplexaˆÂ ¦author and vi ctim excessively of a 1000 homicides and a 1000 copulationsaˆÂ ¦Perhaps you are right. Possibly any more light than this would be excessively much for it ( Faulkner 90 ) . This is possibly the most debatable illustrations of metafiction in the novel because of its focal point. While, so, it involves Mr. Compson noticing on literature through knocking a narrative, it is besides taking a Modernist s position. Faulkner, through Compson, is naming for a return to myth, reasoning that the fabulous narratives of the yesteryear are uncomplex and do non endure from the ambiguity that plagues modern literature. This focal point on the importance of myths is a common concentration of modernist authors, as is the call to utilize these narratives and do them new. Likewise, Compson seems to be suggesting at the significance of this declaration and its symbolism instead than being direct about his point, and deduction is the Modernist s manner of implementing metafiction. The lone redemptive factor of the address lies in his concluding words, utilizing possibly to mean his uncertainness, hence offering a postmodern, disbelieving position and rejecting absolute truth.The fact that the characters are actively stating the narrative of Sutpen and noticing on it at the same clip is slightly postmodern, as it is including and pulling attending to the writer within the narrative. There are besides times when the narration from a character goes on for such a long clip that the reader forgets who is stating the narrative, and at this point, the presence of Faulkner as a storyteller begins to go more apparent. It is besides so that remarks such as the address from Mr. Compson take on new and deeper significance, as the reader begins to tie in Faulkner with these thoughts more so than the characters. Another more complicated illustration of metafiction appears once more in chapter four, as Mr. Compson says:We have a few old mouth-to-mouth narratives ; we exhu me from old short pantss and boxes and shortss letters without salute or signature, in which work forces and adult females who one time lived and breathed are now simply initials or monikers out of some now inexplicable fondness which sound to us like Sanskrit or Chocktaw ; we see dimly people, the people in whose life blood and seed we ourselves laic dormant and waiting, in this shady fading of clip possessing now epic proportions, executing their actsaˆÂ ¦impervious to clip and incomprehensible. ( Faulkner 102-103 )Faulkner, one time once more through the oral cavity of Mr. Compson, is noticing on the province of literature, but more significantly, the uncertainness that literature creates as it all returns to mythology. As he suggests, we as readers have to recognize that every narrative that is told is simply a representation of another, and each is besides a mere representation of world. This besides gets back to Faulkner s job with linguistic communication it neer says what you want it to intend. However, it seems now that he has arrived at a hole for this jobThe character of Judith, when discoursing the narrative, comments that words are mere abrasions without intending but it does nt count that it is so ( Faulkner 131 ) . This differs from the position of earlier novels characters because Judith both comes to footings with the nonsense of linguistic communication and decides that it is no longer debatable for her. When asked if she wants Miss Rosa to read the miss ive, Judith answers, YesaˆÂ ¦Or destruct it. As you like. Read it if you like or dont read it if you like. Because you make so small feeling, you see ( Faulkner 130 ) . Clearly Judith recognizes the futility of linguistic communication, but she besides overcomes the job, caring non whether Rosa reads the missive or non, because it will non do much of a difference either manner. Harmonizing to Tebbetts, Postmodernists see human efforts to depict and set up truth non merely as futile but even as destructive ( Tebbetts 131 ) . In other words, if linguistic communication is purely symbolic, so it can non take us to truth. This comes from a poststructuralist position that truth is a transcendent form and does non be ( Lewis 96 ) . The fresh embraces this, and Faulkner no longer struggles with the uncertainness of linguistic communication. Some critics see the novel as holding a form of uncertainness, which is seeable through its usage of words like possibly and possibly. Faulkner had been rejecting this in his earlier novels, but he is eventually encompassing it here.Faulkner besides chooses to use the metafiction to inform the reader about his Lacanian journey with linguistic communication. Lacan says that when the person is able to divide and quash a portion of itself, it enters the symbolic kingdom. The capable becomes cognizant of its absent centre but is driven by desire to make full the nothingness of absence. For Sutpen in Absalom, Absalom! Falkner s fleeting substitute for the continuance of this narrative his enlightenment minute occurs in Chapter Seven, when he is turned off at the plantation owner s house ( Duvall and Abadie 47 ) . Faulkner, looking back on the past, looks at Sutpen in his Mirror Stage and radiances visible radiation on his ain. Before this minute, Quentin says that Sutpen was no more witting of his appearanceaˆÂ ¦ or of the possibility that anyone else would be that he was of his tegument ( Faulkner 185 ) . At this point, Sutpen has evolved into the Symbolic Stage, merely as Faulkner does in his earlier novels.Faulkner s manner in the novel is more unwritten than literary, and the novel flows through ideas and character duologue that frequently seems like Faulkner himself is orally associating the narrative to his hearers. Critic Conrad Aiken agrees, naming his alone manner grossly overelaborate and grammatically raging ( Aiken 135 ) . However, Aiken claims that this proves Faulkner s Modernist run, which is, as proved therefore far, shortsighted since Absalom, Absalom! is the writer s most postmodern book. What he achieves through this manner is the defamiliarization of linguistic communication, film overing the boundaries of literature. It is these drawn-out, apparently ceaseless sentences in the novel that reflect Faulkner s purposes. Similarly, he besides enacts a maneuver of delayed revelation through this attack, get downing a subdivision of a narrative and suddenly halting to stray onto something else. This manner in which he withholds the points and significance of his sentences, information about characters, and the continuances of half-finished narratives is basically Lacanian.A word picture of Faulkner s novel as either modern or postmodern requires understanding of what it means to be a postmodern piece of fiction. Postmodernist literature is frequently perceived as a reaction to Modernism, which legion writers, poets, and bookmans worried was going progressively excessively conventional and traditional. Likewise, they frequently saw Modernism as an elitist signifier of authorship, since it was normally hard and vague. They cited the many complex literary mentions as a beginning of this, and suggested tha t Modernism was providing merely to the extremely educated because of these mentions. Postmodernism, in response, often involves pop cultural mentions, including those to other postmodern plants, popular art, telecasting shows, political relations, well-known historical happenings, and films. Postmodernism is besides frequently jumbled with atomization, but the usage of atomization is much more terrible than in Modernism, as there is sometimes no clear secret plan, characters sometimes seem pointless, the narrative is broken up and baffled ( frequently beyond fix ) . This utmost degree of atomization is frequently used to do the point that literature is frequently more about what is under the surface, and that cognition of a novel s secret plan does non vouch that a reader has gotten all significance from the work. Even Faulkner s daring nature and separation from Modernism does non develop into what postmodern literature is known for.In order to reply the inquiry of where Faulkner falls in the spectrum of modern and postmodern literature, one must turn to scholarshi p that identifies obvious postmodernism and find if Faulkner lives up to the criterions. Barry Lewis, writer of Postmodernism and Literature, provides a great description of postmodernism as it applies to literature. He purports that the literature that best falls into this class was written between 1960 and 1990, and that anything earlier is ephemeral ( Lewis 96 ) . He suggests that the most of import elements of postmodernity are temporal upset, medley, comfortableness with atomization, diarrhea of association, paranoia, barbarous circles, and linguistic communication upset ( 95-105 ) . Likewise, Lewis besides brings Jacques Derrida s construct of drama as a postmodernism technique. Alternatively of the modernist pursuit for intending in a universe of pandemonium, the postmodern writer denies, frequently playfully, the possibility of significance ( 98 ) . As a consequence, the postmodern novel is frequently a lampoon of the modernist pursuit. Within Faulkner s plants, there are elements of each of these features, but they all seem to look faintly and fleetingly. For illustration, temporal upset is overtly obvious in The Sound and the Fury because Faulkner blurs the line between all clip yesteryear and nowadays are difficult to separate. However, as Lewis would hold, Faulkner does non accomplish the grade of upset associated with postmodernist fiction. Alternatively of acknowledging that history repetitions itself and that there are definite concrete minutes in clip, Postmodernists instead do all clip obscure and lampoon other plants compulsion with clip ( 98 ) . Faulkner s Quentin in The Sound and the Fury would hold been really Modernist in this class, since his preoccupation with clip is ultimately portion of what destroys him. However, Absalom, Absalom! removes this concern wholly, being wholly unconcerned about the transition of clip since it does non count. In fact, the novel s construction, invariably switching tenses between present and past of all time so seamlessly, is postmodern. Therefore, some of these postmodern qualities appear in the novel, but others do non.Another of import facet of postmodern literature that Lewis points out is medley, which literally means to unite and glue together multiple elements. Pastiche, so, arises from the defeat that everything has been done before. .. postmodernist authors tend to tweak existing manners higgledy-piggledy from the reservoir of literary history, and fit them with small tact. This explains why many modern-day novels borrow the apparels of different signifiers ( Lewis 99 ) . Although there are some critics who suggest that this is portion of Faulkner s repertory, reasoning that he employs this in Absalom, Absalom! at that place does non look to be adequate grounds to turn out that he is actively doing the fresh parodic. Indeed, there are clearly elements within the narrative that suggest that Faulkner had the authoritative Southern Gothic novel in his heard while composing it, such as the concluding conversation between Shreve and Quentin at the terminal: Now I want you to state me merely one thing more. Why do you detest the South? I dont hatred it, Quentin said, rapidly, at one time, instantly, I dont hatred it ( Faulkner 395 ) . Quentin, who frequently represents Faulkner, may be quashing something, and it really good could be a shared feeling of Faulkner ; nevertheless, there has non been adequate legitimate grounds or scholarship to turn out this relationship. Therefore, the novel is non a lampoon, which hurts its opportunities at being classified as a postmodern novel.Modernists treat atomization and subjectiveness as experiential crises a job that must be solved, which their literature efforts to make. Postmodernists, nevertheless, believe that this issue is unsurmountable, and the lone reactionist action that is worthwhile is to play with the helter-skelter inclinations. In postmodern literature, gaiety becomes the major focal point, therefore doing any order or irrefutable truth extremely improbable. Faulkner, at least in his early plants and Absalom, Absalom! does non look to venture really deep into this gaiety. Indeed, there is decidedly a presence of this in Absalom, Absalom! but it neer reache s the extremeness that other major postmodern plants achieve. Compared to a work like Kurt Vonnegut s Slaughterhouse-Five, Faulkner s fiction does non stand up in footings of where it falls on the modern/postmodern graduated table. The first chapter of Vonnegut s book begins by stating, All this happened, more or less I ve changed all the names. I truly did travel back to Dresden.. . I went back at that place with an old war brother, BernardaˆÂ ¦ ( Vonnegut 1 ) . The writer blurs the line between where his influence terminals and where the storyteller ( who is, in other words, understood to be separate from the writer ) begins. The first chapter seems more like a foreword by the writer, or a ulterior remark on his novel that should come after the text ; alternatively, Vonnegut s first class of action is to put himself up as both the writer and storyteller. It is clearly postmodern because he is forthright about it alternatively of connoting the bleary line. I would detest to state you what this icky small book cost me in money and anxiousness and clip. When I got place. .. I thought it would be easy for me to compose and I thought, excessively, that it would be a chef-doeuvre or at least do me a batch of money, since the topic was so large ( Vonnegut 2-3 ) . The reader is cognizant of the fact that the storyteller is besides the author, and that the author is speaking about the procedure of authorship: this is, doubtless, one of the best illustrations of playfully postmodern metafiction around, and Faulkner s degree of metafiction does non even compare. John Barth, another well-known postmodernist novelist, published an essay in 1979 entitled Literature of Replenishment, which was meant as a response to his earlier essay, Literature of Exhaustion. The Replenishment that Barth refers to is postmodern literature, since he was naming for an inspection and repair of Modernism in his earliest essay. In Literature of Replenishment Barth says,My ideal Postmodernist writer neither simply repudiates nor simply imitates either his twentieth-century Modernist parents or his nineteenth-century premodernist grandparents. He has the first half of our century under his belt, but non on his dorsum. Without sinking into moral or artistic oversimplification, cheapjack workmanship, Madison Avenue venality, or either false or existent naivete , he however aspires to a fiction more democratic in its entreaty than such late-Modernist wonders as Beckett s Texts for Nothing The ideal Postmodernist novel will somehow lift above the wrangle between pragmatism and irrealism, formalism and contentism, pure and committed literature, coterie fiction and debris fiction ( Barth 22 )Barth sets the criterion for what postmodern literature needs to carry through, every bit good as how it should be written. Vonnegut s Slaughterhouse-Five meets all of these demands, while nil of Faulkner s can compare.While Absalom, Absalom! boasts many features that make the novel appear postmodern, it still seems to hold excessively small in common with the clear postmodern plants of recent old ages. As with every other literary motion, Modernism met its extremum someplace in the center of its clip and began a diminution in the last few old ages of its prominence. Somewhere in between the autumn of Modernism and the rise of Postmodernism lies Faulkner. One of his commonly overlooked short narratives, Afternoon of a Cow, appears to be his most postmodern piece, and it is his last flirting with the postmodern daring before returning to a more conservative, overtly modern manner of composing in the waning old ages of his calling. Afternoon of a Cow is the definition of Faulkner s self-reflexivity, and it is every bit postmodern as the writer gets since it achieves its metafiction through open description and commentary instead than deduction. Likewise, the narrative is a self-parody. Written under a anonym, the short narrative takes a bantering attack to Faulkner s manner in his old novels. Faulkner himself is the chief character, though the storyteller is Ernest V. Trueblood: the purported writer of the narrative every bit good, and the individual whom Faulkner pretends to be his shade author. Much in the mode of a postmodernist writer, Faulkner plays with this piece of fiction to notice on the narrative within a narrative the narrative about his literature and how he ( Faulkner ) views his past achievements.Ernest V. Trueblood, clearly an fanciful character, even though Faulkner purports that he is the existent shade author of his past novels, tells the narrative but focuses prevalently on William Faulkner as a character, so much that the compulsion becomes inordinate. However, it becomes obvious once the reader recognizes that Faulkner is the existent creative person that the map of this preoccupation is for Faulkner the author to be overcritical of himself and his authorship from an foreigner s point of position. In the narrative, Trueblood explains that every twenty-four hours Mr. Faulkner informs him what to compose and Trueblood adapts Mr. Faulkner s narratives into recognizable pieces of fiction ( Faulkner 421 ) . This, if true, would account for the unwritten construction of novels such as Absalom, Absalom! Besides, the character may be a lampoon of characters in Absalom, Absalom! who express a captivation with lineages, sing that the storyteller s name is Trueblood. As mentioned earlier, the alleged separation between Faulkner and Trueblood allows for a metafiction: aˆÂ ¦with the exclusion of myself, whose pattern and belief it has neer been to name any animal, adult male, adult female, kid or least, out of its rightful name merely as I permit no 1 to name me out of mine, though I am cognizant that behind my back bothaˆÂ ¦refer to me as Ernest be ToogoodaˆÂ ¦ ( Faulkner 421 ) . Since Faulkner claims that Trueblood is his shade author, he therefore represents the writer side of himself. His remark about neer mentioning to anyone with its rightful name suggests that anything he has of all time written about has been a world at one clip, adapted into fiction with the names a ltered ( film overing the lines of world and imaginativeness ) . Faulkner is besides placing for the reader the manner in which his existent individuality ever seemed to be different than his composing individuality. He is clearly being self-reflexive, looking back on himself in add-on to his authorship. Likewise, Trueblood is repeatedly extremely critical of Mr. Faulkner, stating on multiple occasions that he is violently sedentary and normally expresses a unenrgetic wit ( Faulkner 427 ) . The storyteller besides calls him out for other features, but these are evidently unfavorable judgments of Faulkner s authorship manner, hence in world being self-reflexive approximately himself as an writer. When the cow empties its vesica and bowels onto Faulkner, the temper and manner of the narrative instantly alterations, as does the tone of Mr. Faulkner s actions. The narrative ends with Faulkner depriving in the stallss and rinsing himself, after which Trueblood comments that the existent and soft Mr. Faulkner has retreated once more and the violent and inactive personality has returned. The cow s laxation of the writer is what brings out the existent Faulkner, which is a blending of Trueblood and Mr. Faulkner a quiet and philosophical being that is the writer in his basest signifier. When the original Mr. Faulkner returns, though, he one time once more becomes the foolhardy failure that he tried to soak off to society in interviews and friendly relationships as his existent ego.Much of the wit in the narrative is a postmodern black wit, since it focuses on a cow s laxation onto Mr. Faulkner. It besides lies in the beautiful and flowery descriptions that Trueblood utilizations, which are extremely dry sing the disgusting subject. The storyaˆÂ ¦is a barnyard gag, but he tells it in a entirely inappropriate manner, as if it were the material of high love affair ( Grimwood 5 ) . Likewise, many of the descriptions and words that Trueblood uses seem as if they were taken right from Absalom, Absalom! : The wit is intensified for those who recognize that such a transition is non at all foreigner to William Faulkner s ain manner ( Volpe 222 ) . The writer is clearly cognizant of the verbal maze that his last novel had been, and so this short narrative can be see a lampoon of that manner. In fact, as Grimwood points out, Faulkner was composing Afternoon of a Cow at the same clip that he was completing Absalom, Absalom! ( Grimwood 4 ) . After a meeting for dinner one clip, Faulkner gave his friend a transcript of both Afternoon of a Cow and Absalom, Absalom! stating him that they were the complete plants of Trueblood and that they must be read together. Of class, the two plants of fiction were non written by anyone besides Faulkner, and he merely said this to divide them from his earlier texts and to affect upon his reader that they are meant to be coupled, the short narrative noticing on the novel. Ernest V. Trueblood s manner exhibits the rhetorical extremism we associate with William Faulkner ( Grimwood 7 ) . The narrative is an auctorial dissection of his individuality as an writer, peculiarly the 1 in whose position the novel is told. Afternoon of a Cow decidedly seems to be an early postmodernist work, but even if it is, one work out of many does non do him a postmodernist. As Terrell Tebbetts makes clear in the first line of his essay, Faulkner was non a postmodernist, and he did non go a postmodernist either ; nevertheless, his motion through Lacan s lingual patterned advance led him prematurely to postmodernism ( Tebbetts 125 ) . While Faulkner thought he was really being modern by experimenting with literature, he was genuinely exceling the kingdom of the Modernists. As I Lay Diing was basically his first transitional novel in which he began this clear way from modernism to postmodernism, as the novel hinges between the two genres. Absalom, Absalom! and Afternoon of a Cow were his most postmodern pieces, though they, excessively, simply hit the outer shell of this literary cl ass. I besides think his rejection of what we consider pop civilization undercuts the statement that he is postmodernist, given that he follows more so the modern position here. Numerous facets of his composing reject elements of modernism, but they besides frequently employ and embrace these same elements at times. Even though Faulkner managed do it to postmodernism even before it was developed and characterized, he failed to interrupt the ceiling by returning to his old methods of composing. Likewise, Faulkner s fiction abides by Lacan s phases of lingual development, and even though he develops as an writer and critic of linguistic communication merely as a kid grows and matures, he merely briefly trades with the attacks to linguistic communication after germinating into the Symbolic and Imaginary phases. Any critic who defines William Faulkner as a postmodernist is misled and clearly non well-read in Faulkner s repertory ; on the other manus, critics who call him a modernist should see reviewing his literature through a postmodern lens, since they will detect, as I have, that William Faulkner is one of those rare ephemeral authors of the 20th century.

Prime Minister Louis St. Laurent Biography

Prime Minister Louis St. Laurent Biography Fluently bilingual, with an Irish mother and a Quà ©bà ©cois father, Louis St. Laurent was an apolitical lawyer when he went to Ottawa in 1941 to be Minister of Justice and Mackenzie Kings Quebec lieutenant temporarily until the end of the war. St. Laurent did not retire from politics until 1958. The post-war years were prosperous in Canada, and Louis St. Laurent expanded social programs and began many mega-projects. While the influence of Britain on Canada was gradually decreasing, the influence of the United States on Canada grew. Prime Minister of Canada 1948-57 Highlights as Prime Minister Newfoundland joined Canada 1949 (see Joey Smallwood)Trans-Canada Highway Act 1949Canada was a founding member of NATO 1949Canada contributed troops to the UN force in Korea from 1950 to 1953. More than 26,000 Canadians served in the Korean War and 516 died.Canada played a role in resolving Suez Crisis 1956St. Lawrence Seaway started construction 1954Introduced equalization payments to distribute federal taxes to provincial governments 1956Introduced universal old age pensionsProvided funds for hospital insuranceCreated Canada Council 1956 Birth and Death Born on February 1, 1882, in Compton, OntarioDied on July 25, 1973, in Quebec City, Quebec Education BA - St. Charles Seminary, Sherbrooke, QuebecLL.L - Laval University, Quebec City, Quebec Professional Background Corporate and constitutional lawyerLaw professorPresident of the Canadian Bar Association 1930-32Counsel, Rowell-Sirois Commission on Dominion-Provincial Relations Political Affiliation Liberal Party of Canada Riding (Electoral District) Quebec East Political Career of Louis St. Laurent In 1941, at the age of 59 and at the request of Mackenzie King, Louis St. Laurent agreed to be Minister of Justice until World War II was over. Louis St. Laurent was first elected to the House of Commons in a by-election in 1942. He was Minister of Justice and Attorney General of Canada from 1941 to 1946 and again in 1948, and Secretary of State for External Affairs from 1946 to 1948. He was elected Leader of the Liberal Party of Canada in 1948. In 1948, Louis St. Laurent was sworn in as Prime Minister of Canada. The Liberals won the general elections of 1949 and 1953. The Liberals lost the general election in 1957 and Louis St. Laurent became Leader of the Opposition. John Diefenbaker became Prime Minister. Louis St. Laurent resigned as Leader of the Liberal Party of Canada in 1958.

Compare and contrast the views of Howard Zinn's presentation of the Essay

Compare and contrast the views of Howard Zinn's presentation of the Vietnam War to the American Promise text - Essay Example both Zinn and the American Promise text begin by describing the combatants, the American Promise text seems to tacitly cast their communist leanings as irrational and in-direct opposition to freedom. Conversely, Zinn elevates their position to equal footing with the United States. Zinn describes North Vietnam as, â€Å"a nationalist revolutionary movement in a tiny, peasant country† (Zinn). One can easily argue that Zinn is even romanticizing the North Vietnamese movement, casting them in the mythic role as David in a battle with the United States’ Goliath. Zinn’s historicism goes on to explore the perspective of the North Vietnamese in more sympathetic details than the American Promise text. Where the American Promise text identifies the promise Kennedy made in fighting against Communist aggression, Zinn’s history notes the Atlantic Charter which promised the people the right to choose their own government. It shows that despite such a document, pleas by the North Vietnamese to President Harry Truman went unrecognized. The American Promise also focuses predominantly on the Vietnam War once it was started, and not the factors that ultimately caused the United States’ participation. While of this is surely attributed to the fact that it focuses on American History, key facts are left out, which Zinn includes. One of the most notable of these is that after the French left Vietnam there was scheduled to be an election that would unify the country. It was the United States that stepped in and prevented these elections from occurring, and placed a Vietnamese man who had previously resided in New Jersey in office. Quoting the Pentagon papers, Zinn states, â€Å"South Viet Nam was essentially the creation of the United States" (Zinn). When considering the Gulf of Tonkin incident the two textbooks have slightly different perspectives. While the American Promise acknowledges that there might be more to the attacks than was initially reported by the United States